Reliquary is a corpus of 24 paintings produced on linen canvas with egg tempera. The canvas fabric refers to something ancient and contemporary, egg tempera intends to be a common thread between the past and the present. In deciding to eliminate the frame and hold the piece between two slabs of glass, the canvas was meant I made as a shroud-relic. The canvases are meant to work either individually, in groups or in pairs, as they communicate with each other. The work as a whole is meant to be seen as succession, and portray the presence of these bodies locked within the arches, they resemble the idea of the nave in a church with its minor altars.

This body of work emerges from reflection on individual potential and the inability of precise consideration prevented to make it blossom. This reflection visually translates the impediment into an arch, the arch is taken into consideration as an architectural object with a precise historical and social connotation. It also suggests, the inevitability of being part of a larger architectural structure, but the building that would be part of the arch does not exist in the canvases, it exists only as an idea for the subjects represented. The export of the building suggests that the casualties that prevented the individual's fulfilment may have been more precarious and illusory than the man or woman involved could imagine or see from within the situation. It opens up the possibility that the causes that prevented them from asserting themselves were not insurmountable or that they may have been created by themselves.